The Witch of Lime Street: Séance, Seduction, and Houdini in the Spirit World by David Jaher

Review based on ARC (Advanced Reader Copy received for free in exchange for an honest review).

This is a book with a fascinating subject: The existence and experience of spirits and seances and whether or not they are real (or were proven to be real and/or false). Houdini, named in the title, himself experimented with so-called psychic experiences, but as he never really did them but happened to be particularly talented at convincing people he was "the real deal," he was particularly skeptical about all others who claimed to in fact be in contact with spirits and/or the dead.

In addition to Houdini, Sir Arthur Conan Doyle was heavily involved in the whole spirit world - he was an ardent believer of contact with the dead, largely driven by various deaths in his own life and others and the loss of so many people in the recent war and epidemic.

And then there is the famed Witch of Lime Street, the wife of a Boston surgeon. She is young and smart and appears to be genuine.

In addition, Scientific American created a contest to determine whether any psychic could prove his or her merits. And of course Conan wants Margery (the Witch of Lime Street) to enter the contest, and Houdini is on the committee to determine whether she (among others) are legitimate.

So, fascinating, right?! Right up my alley. Interesting historical topic about very interesting people.... and Jaher doesn't do a bad job. He just doesn't do a particularly good job either. I found the book often dragged and spent too much time re-explaining the same inclinations of the various peoples, rather than moving more quickly through the events and analyses. Nonetheless, I enjoyed learning more about the topic and found myself repeating the information I'd learned to others in (somehow) every day topic.

Overall, a good historical account of a fascinating group of people and series of events. I would recommend to people interested in the subject, with the obvious caveat to simply "bear with" the parts that seem to drag.

Overall, THREE of five stars.

Maus I: A Survivor's Tale by Art Spiegelman

This is a graphic novel telling/showing one man's (the author/illustrator's father) experiences and survival of the holocaust. In the graphic novel, Poles are represented as pigs, Jews are mice, and Nazi Germans are cats (all Germans are Nazi Germans in this tale). I ... am not sure if the chosen animals are meant to represent anything in particular. It seemed pretty obvious to me that he chose cats as a natural foil to the mice, but I'm not sure what the pigs were supposed to represent. The tale includes Polish individuals that appear to be good, appear to be bad, and appear to be very self-interested. I hadn't really taken any particular "message" about the chosen animal, but I was curious.

So Vladeck Spiegelman (Art's father) was a man with a relatively new wife and a new baby when he was first taken as a prisoner of war at the beginning of World War II. He is eventually released and makes it back to his family, where he discovers that, while they still have most of their possessions, house, and money, they are beginning to live as prisoners in their own cities. As time progresses, the Germans demand more and more from the Jewish population, including their elderly, their children, their furniture, their homes, their lives. Spiegelman shows the perspective of someone who did not know what was happening---in retrospect, we know what Auschwitz is, but when it first came on the horizon, they did not know, and this was well portrayed in Maus I.

Because it's a graphic novel, Spiegelman is able to tell a horrific story in a way that is palatable for most. It is heart-breaking and tragic, but it is a little removed in its form of telling (which I do believe is the point). Also, Spiegelman incorporates other present-day story into the graphic novel, finding a way to humanize his father and what happened to him as well as provide insight into the impact such experiences can have on someone and, yet, how they continue to find meaning in their everyday lives and relationships.

I can't say that I "enjoyed" this, because it is, as I say, heart-breaking. But it was well done and informative. I think Spiegelman adds a lot to the area by presenting his father's story in this manner.

FOUR of five stars.